The Current State of Artifact Production in Kilenge, West New Britain

dc.creator	Grant, Jill
dc.creator	Zelenietz, Marty
dc.date.accessioned	2013-04-19T15:54:53Z
dc.date.available	2013-04-19T15:54:53Z
dc.date.issued	1978-02-01
dc.identifier.uri	http://library2.smu.ca/xmlui/handle/01/24885
dc.description	Workshop 5, The Second Annual International Symposium on the Art of Oceania, February 1-8, 1978 (Victoria University of Wellington, Wellington, New Zealand)
dc.description	pp. 1-14
dc.description	Scope and Content: This article discusses the changing state of artifact production in Kilenge. With the rise of a commercial market for artifacts, villagers are generally putting more effort into producing artifacts for sale rather than for traditional use.
dc.description.provenance	Submitted by Tara Rumsey (tara.rumsey@smu.ca) on 2013-04-19T15:54:53Z No. of bitstreams: 1 Current_State_of_Artifact_Production_in_Kilenge.pdf: 1962108 bytes, checksum: 94222fe5e101329f07dca818aa757287 (MD5)	en
dc.description.provenance	Made available in DSpace on 2013-04-19T15:54:53Z (GMT). No. of bitstreams: 1 Current_State_of_Artifact_Production_in_Kilenge.pdf: 1962108 bytes, checksum: 94222fe5e101329f07dca818aa757287 (MD5)	en
dc.language.iso	en	en_CA
dc.subject.other	Personal Ornamentation
dc.subject.other	Ceremonial Arts
dc.subject.other	Namos Tame (master artist)
dc.subject.other	Art- carving
dc.subject.other	Commercial Arts
dc.title	The Current State of Artifact Production in Kilenge, West New Britain	en_CA
dc.type	Text	en_CA