dc.creator |
Haynes, Graham |
|
dc.date.accessioned |
2014-02-26T18:50:43Z |
|
dc.date.available |
2014-02-26T18:50:43Z |
|
dc.date.issued |
2013 |
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dc.identifier |
http://library2.smu.ca/bitstream/handle/01/25409/asb_proceedings_2013.pdf#page=63 |
|
dc.identifier.uri |
http://library2.smu.ca/xmlui/handle/01/25707 |
|
dc.description.abstract |
The following paper presents an analysis of ontological politics through the development of the Museum of Industry, one of the 27 Nova Scotia Museums in the province of Nova Scotia, Canada, and the struggles between actors to achieve their particular vision of the museum and of history. |
en_CA |
dc.description.provenance |
Submitted by Trish Grelot (trish.grelot@smu.ca) on 2014-02-26T18:50:43Z
No. of bitstreams: 0 |
en |
dc.description.provenance |
Made available in DSpace on 2014-02-26T18:50:43Z (GMT). No. of bitstreams: 0
Previous issue date: 2013 |
en |
dc.language.iso |
en |
en_CA |
dc.publisher |
Atlantic Schools of Business |
en_CA |
dc.subject.lcsh |
Nova Scotia Museum of Industry |
|
dc.subject.lcsh |
Museums -- Nova Scotia -- History |
|
dc.subject.lcsh |
Actor-network theory |
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dc.title |
We've been busy "putting our house in order": a tale of ontological politics at the Nova Scotia Museum of Industry |
en_CA |
dc.type |
Text |
en_CA |
dcterms.bibliographicCitation |
Proceedings of the 43rd Atlantic Schools of Business conference, St. Francis Xavier University, 2013, pp 63-81 |
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