L'apprivoisement du Rhinoceros : la metamorphose et la mentalite collective

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dc.contributor.advisor Bannerjee, Rohini Reena, 1976-
dc.creator Mullins, Kayla
dc.date.accessioned 2017-09-15T14:19:29Z
dc.date.available 2017-09-15T14:19:29Z
dc.date.issued 2017
dc.identifier.uri http://library2.smu.ca/handle/01/27083
dc.description 1 online resource (22 p.)
dc.description Includes abstract in French and English.
dc.description Includes bibliographical references (p. 22).
dc.description.abstract In this study we will analyse the play Rhinoceros (1959) by Eugene Ionesco. Through absurd theatre, Ionesco is able to bring to life his anxieties and incertitudes about the human condition. Rhinoceros was written during the Second World War, therefore, many of the metaphors reference back to the collective consciousness imposed by the Nazi Party worldwide. Ionesco uses metamorphism to represent those that are not able how to think for themselves or think of others. The metamorphosis from human to rhinoceros symbolise those in society that have become blind to the ideologies of the Nazi Party. With the use of his contemporary ideas, Ionesco is considered one of the most influential artistes of the absurd genre by promoting.free thinking. The major problems that Ionesco discusses - such as the equality of knowledge and free forward thinking - will conclude the analysis by explaining why it is importance to study the past today. en_CA
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dc.language.iso fr en_CA
dc.publisher Halifax, N.S. : Saint Mary's University
dc.title L'apprivoisement du Rhinoceros : la metamorphose et la mentalite collective en_CA
dc.type Text en_CA
thesis.degree.name Bachelor of Arts (Honours French)
thesis.degree.level Undergraduate
thesis.degree.discipline Modern Languages and Classics
thesis.degree.grantor Saint Mary's University (Halifax, N.S.)
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